A vivacious man-eater who's given up on love.
When it comes to Lachlan and Kayla, opposites don't just attract - they explode.
Kayla Moore has always been comfortable with her feisty, maneating reputation. At least it was fine until she hit her thirties and saw her best friends Stephanie and Nicola settle down with Linden and Bram McGregor, leaving Kayla to be the odd one out. Tired of being the third wheel with nothing but one-night stands and dead-end dates in San Francisco, Kayla decides to take a vow of celibacy and put men on the backburner.
That is until she lays her eyes on Linden and Bram’s cousin, hot Scot Lachlan McGregor. Lachlan is her sexual fantasy come to life – tall, tatted, and built like a Mack truck. With a steely gaze and successful rugby career back in Edinburgh, he’s the kind of man that makes her want to throw her vow right out the window. But Lachlan’s quiet and intense demeanor makes him a hard man to get to know, let alone get close to.
It isn’t until the two of them are thrown together one long, unforgettable night that Kayla realizes there is so much more to this brooding macho man than what meets the eye. But even with sparks flying between the two, Lachlan can’t stay in America forever. Now, Kayla has to decide whether to uproot her whole life and chance it all on someone she barely knows or risk getting burned once again.
Sometimes love is a game that just needs to be played.
OUR REVIEW:
I really want you guys to buy this book and read it and love it as much as I do.
<end of review>
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Kidding.
I know I need to give you more and I will, but I kinda wish I could stop at what I said up there. Why? Because I want everyone to go in blind, without too many preconceptions, and just find themselves completely absorbed by the story of Lachlan and Kayla.
I should be honest and say that I thought I had an idea of how this novel was going to go down. I thought it would be very similar to The Pact and The Offer: fun, sexy, a smidgeon of angst, and a HEA. And I suppose in some ways my assumption was correct because all of those things exist but The Play is so much more than what I assumed. The humor was there, the chemistry was off the charts hot, and the HEA exists but there was this darker undercurrent, the emotions I felt were stronger and deeper, and the HEA was so much sweeter.
There are just so many things to love about The Play and I fear I'll bore you with my tendency to ramble or recap the synopsis too much (and no one wants that, right?!) so I'm going to try to narrow it down to just a few things:
1. Kayla's desire to find a career she feels something about vs. her conflict with leaving a job that is comfortable and pays the bills was something I think will resonate with many. It's so scary to leave a guaranteed paycheck, especially if you're not certain if you'll have any success if you leave, and I related to that sense of the mundane and obligation and shame of feeling bad about a job you should love but don't.
2. Lachlan was perfectly imperfect--he grunts for pete's sake!--but I liked how he doesn't even pretend to be anything other than he is. I love that he calls Kayla 'love'. I love that when he needs to listen and take action, he does. And, I love how huge his heart is--his love for dogs, his love and loyalty to family, and his complete adoration of Kayla made me fall for him. {Also Rugby. Did I tell you he's a beast of a man who plays rugby and now I am compelled to watch it?!}
3. Without going into great detail, there were some really emotional scenes in the last half of this book (happy and not so happy ones) and the way that Karina Halle constructed these for maximum emotional impact was freaking phenomenal. I was completely absorbed and just *in* it, you know?
4. I also loved how we get to see how the characters from the first two novels are doing and I have to say that I enjoyed them so much in those novels, but they sometimes kind of came off as jerks to Kayla in this one. Strangely, I liked that aspect because it made all of these characters seem more real and Kayla's perceptions one that I think many friends of couples feel.
5. Karina Halle writes 'on location' so well. She makes me want to visit every place she writes about and in this case I now feel obliged to visit Scotland and fall in love with it.
6. The acknowledgements made me fall more in love with Karina than I already did. READ THEM.
I'm not sure if there are other books planned for this series (though I think Lachlan's brother definitely needs a book, right?!) but I absolutely know that no matter what she releases next, I'll be reading it.
EXCERPT:
“Get a fucking hold of yourself,” I say out loud and crane
my neck to look up at the floor-to-ceiling windows of Lachlan’s apartment
building, trying to count floors and see which one is his. I anxiously open my
compact and dot more lip stain on my lips, wondering how fast it will be rubbed
off once I get into his apartment.
Is he going to kiss me right away?
Will this be a Netflix and chill night?
Immediate fucking?
The possibilities have me on edge.
With a deep breath, I get out of the car and walk over to
the entrance. My finger hovers at the apartment number. I take a moment to eye
myself in the reflection of the glass doors. I had sped home to change into a
strappy black dress, something like the nightgown-trend of the 90’s, with hot
pink platform heels. No bra. No underwear. What’s the point?
I press the buzzer and wait for a few moments, my pulse
pounding in my wrist. Lachlan’s distinct voice comes through, - slightly
drowsy, smooth as butter. “Kayla?”
“Hi,” I say. I’m about to say something else, probably
something awkward but he immediately buzzes me through. I exhale loudly, trying
to release tension and remain a fidgety mess all the way up the elevator. Last
time I was in here, we’d just rescued the dogs. He was shirtless. He’d felt so
close at that time and yet oh so far away. To think now, now, I’d had my hands
and lips all over him and my need for him was stronger than ever before.
I knock on his door, biting my lip in anticipation, until it
swings open and I see Lachlan, leaning casually against it. The dulcet tones of
Fiona Apple’s “Slow like Honey” drift in from the room.
“You shouldn’t be wearing that,” he says, a faint smile on
his lips. God, I’ve missed those lips.
“Why not?” I ask with a raise of my brow. In a second, all
my nerves smooth out and I realize how easy it is to talk with him like this.
“You’ll make it impossible to get through the appetizer,” he
answers, moving back and letting me inside. He’s back to casual gear, a white
thermal shirt that’s partially unbuttoned, just enough to show a glimpse of
tanned skin, chest hair and tattoos, a necklace with a small wooden cross,
green cargo pants. I like him like this just as much as I like him in a suit.
I walk in, my heels echoing on the tiles. “I thought I was
the appetizer,” I tell him, looking around. The two dogs are on the couch,
curled up into each other like sleeping mice. In unison, they both lift their
heads to stare at me. The pitbull gives a thump of its tail but the scruffy
mutt shivers slightly, showing teeth.
“Don’t mind them, they’re still adjusting,” he says, closing
the door and then gesturing to the table by the kitchen, where I had done my interview
with him last week. “That’s the appetizer.”
On the table is a bottle of red wine, two glasses, and a
cheeseboard topped with brie, cheddar, camembert, figs, jam, honey and
crostini. “Wow,” I say softly. “You did all this?”
He shrugs, making a dismissive noise. “It was nothing.”
“This is romantic,” I tell him. “I didn’t peg you for a
romantic.”
He raises a perfectly arched brow. “Oh yeah? What did you
peg me for?” He slowly pours a glass of wine.
I just stand there, watching him pour a smaller amount into
the other glass. His forearm flexes, the lion tattoo seems to roar. His
forehead is creased with concentration, perhaps anticipation of my reply. He
seems completely at ease with me but there’s always that wildness in his eyes
that never seems to go away. The only time I saw peace in them was after he
came last night.
“I pegged you for a man who wouldn’t give me a second
glance.”
He gives me a crooked smile and corks the bottle “Well,
love, you know that isn’t true.”
I slowly walk toward him, looking up through my lashes like
some femme fatale. “Oh, it was true. You wanted nothing to do with me.”
His look softens for a moment before he heads over into the
kitchen, grabbing small plates from the glass cupboards. “I want nothing to do
with most people. Never take it personal.”
“Tell that to Old Kayla. She had no idea she’d get the
chance to put your gorgeous cock in her mouth.”
The plates rattle against the counter. “You do have some
mouth on you.”
“Exactly.”
He comes back in the room with his hulking swagger, putting
the plates down. He nods at the seat pushed out. “Here, sit down. Please.”
I hook my purse on the corner of the chair and take a seat.
Both dogs stare at me from the couch.
“So how are they?” I ask him.
He looks behind him and I take a moment to appreciate every
hardened, strained muscle on his neck and shoulders. “As I said, adjusting.” He
sits down and folds his hands in front of him. “Someone is coming by tomorrow
to see about adopting Ed. But I think Emily will be coming home with me.”
“Which one is Ed?”
“The pit,” he says.
“Funny, I would have thought he would have been harder to
find a home for.”
“Usually. But Ed is a big sweetie and people in this city
are a little more tolerant of bully breeds than people in the UK. Emily,
however, as sweet as she looks,” he glances back at the scruffy dog, who
immediately bares her teeth to me, “has behaviour problems. She’ll need work.”
“And are you the one who teaches them?” I ask. “Because if
so, then you are the dog whisperer, which means there’s pretty much nothing you
can’t do.”
He looks down at his hands and gives a lazy one-shouldered
shrug. “I found Lionel on the streets in Edinburgh. I was able to teach him.
Maybe he taught me some things, you never know with dogs. But…it takes a
special kind of person to train dogs, especially those who have been through
trauma and abuse. I am not that kind of person. I will do whatever I can to
save them but I’m not the person who can school them on obedience.”
“Really?”
A quiet, almost uncomfortable smile tugs on his lips. “A dog
with behavioural problems shouldn’t learn from someone with behavioural
problems.”
I expect him to laugh but he doesn’t. “Oh,” I say, trying to
think of the right thing. “You just seem like a natural. These two were strays
and now look at them. Just like that.”
“I can get the dogs to trust me,” he says in a low voice.
“Because I trust them. But I can’t get them to trust others.”
“Because you don’t trust people…”
He slowly blinks and then reaches for the stem of his wine
glass. “I think I may trust you. Here’s to that.”
“Here’s to that,” I say, raising my glass and clinking it
against his. I’m more than meeting him the eyes, I’m diving in the green and
grey. They seem darker somehow, moving shadows. Depthless. Behavioural
problems? What kind? How much more can I learn about him before he’s gone?
I take a gulp of my wine. He barely touches his. Just a
small sip, then puts the glass back down and pushes it away from him.
“I’ve never seen you drink much,” I tell him, hoping my tone
is easy enough so he won’t take offense.
He gives me a long, measured look before he licks his lips
and looks away. “No, I don’t.”
“Because of training,” I say, giving him an easy way out.
A slow nod. “Yes.”
He’s still not meeting my eyes, his focus on the cheeseboard
and even though he’s not frowning like he usually his, his shoulders seem
tense.
“What other things do you have to do for training?” I ask. I
feel we’ve regressed a little bit and I want that sexy, casual banter back.
He drums his fingers along the edge of the table and I lean
forward, trying to get some cheese on my plate. “Lot of work in the gym. Lot of
work in the field. A good diet.”
“I assume it doesn’t include loads of cheese,” I tell him,
drizzling the honey on top of my brie.
“Nah, just boring stuff. Chicken breasts, broccoli. It’s not
a lot of fun but at my age, you have to do it if you want to keep playing. When
I was younger I could have eaten whatever I wanted.”
“How old are you?” I ask.
“Thirty-two,” he says and I’m a little bit surprised. I
guess because he looks so manly and distinguished – the lines on his forehead,
his scruffy beard – I pegged him for someone in his mid-to-late thirties. Or
maybe it’s his eyes.
I stare at them, even though they are now staring sharply at
the fig as he hacks his way into it, as if the fig had done something personal
to him. It’s those eyes that trip me up. The eyes of an old soul, of someone
who has seen too much, done too much. There’s a war behind them at all times, a
war I want to help him win.
“Does that surprise you?” he asks, glancing up at me
briefly.
I take a delicate bite of the crostini. “Not really. You
just seem more mature than that.”
He spreads the fig over goat cheese. “In rugby, being in
your thirties is asking for trouble. All these years of being hit, all the
injuries, the strain. It takes a toll. I don’t know what happened, but when I
turned thirty it all started to slip, just a bit.” He offers me the fig and I
take it from his hands, my fingers brushing against his. One simple touch and I
feel it travel down the length of my arm, straight to my heart.
Bam. A shower of sparks.
I swallow, trying to ignore the feeling. “How long have you
been playing for?”
He frowns, eyes squinting in thought. “Twenty-two. Yeah.” He
nods. “Ten years.”
I blink, impressed. “That’s a long time. Is that normal?”
“I guess,” he says, pursing his lips, considering. “I’m good
at what I do. They need someone fast and someone who will break everyone in
their way. That’s my job. But I can’t do it forever. After I fucked up my
bloody tendon…I know I don’t have long.”
“You almost make it seem like you’re dying.”
He briefly sucks in his cheeks. “Rugby saved my life. I’m
not sure what I’ll do when it’s over.”
“Coach?” I ask him hopefully.
“Nah,” he says, munching on the crostini and leaning back in
the chair. When he swallows, he adds, “I’m either in the game, or I’m not.
There is no halfway. That’s not how I’m built. Once I’m done, I’m done.”
And when this is over? I think. Are we done?
But of course we are…we aren’t even a thing.
“Maybe you’ll just do the charity work…for the dogs.”
“Aye,” he says. He reaches for his wine and takes a small
sip. He almost puts it back down, then takes another gulp, finishing the glass.
“I’ll keep doing that. There’s no expiration on helping others. As bloody
cheesy as that sounds.”
“That’s not cheesy,” I tell him. “That’s selfless and
beautiful.”
“Come now,” he chides me, seeming embarrassed. He looks
away, folding his arms across his wide chest, his unreal body stealing my
attention again, turning my thoughts back into that sexual whirlwind. Well
played, Mr. McGregor, well played.
“What’s the lion tattoo for?” I ask him. “What’s the story?”
That startles him. “What are you on about?”
I point to his forearm. “There. Lion. See. You said you
would tell me some stories. About your tattoos. Why you have them.”
He rakes his teeth over his lower lip and looks me dead in
the eye. “Did I now?”
“Yes,” I tell him impatiently. “Last night…maybe this
morning. After some good fucking.”
“Ah, yes. That explains it.”
“Well give me something.”
“If I give you something, will you give me something?”
I can’t help but grin like a fool. “Of course.”
“Okay then.” He pushes his chair back slightly and takes his
shirt off, tossing it on the floor beside him. He spreads his legs and pats the
crotch of his pants, his gaze absolutely feral. “Have a seat.”
I am light-headed at the sight of his torso again. I manage
to get up, drawn to him like a magnet. I put my hands on the hard breadth of
his shoulders and straddle him. We are so close. Our mouths inches away.
He’s breathing hard. I’m breathless.
He’s a wall of muscle and ink. I’m soft, yielding against
him.
“So ask away,” he says, that voice low, rough, yet cashmere
cream. That voice I’ll hear in my dreams long after he’s gone.
His eyes never leave my lips.
I lean back to get a better look at him, even though the
distance pulls at me. I run my fingers over his shoulder, taught, hard muscle.
A storm rages in muted ink, an old ship with tall sails is masterfully shaded,
spreading onto his chest.
“This one,” I say softly. “Why the storm? Why the ship?”
He chews on his lip for a moment, searching my eyes. “I was
twenty-four. I backpeddled with life for a bit. I lost my edge in the game. But
I pushed through and was better for it. A ship in harbor is safe, but that’s
not what ships are built for.” He tilts his head, as if observing me, though
I’m the one watching him. “It helps me when I get scared. To keep going.”
“You get scared?” I ask him, unable to picture him, this
strong, powerful man, afraid of anything at all.
“All the time,” he says frankly. “How can life be anything
except terrifying at times? We’re born here. We don’t ask for it. And we’re
expected to somehow get through it, living each day without dying. We either
live and if we don’t, we die.” He looks away, gives his head a shake. “Nah.
We’re all scared, every last one of us.”
I know I am. Of so many things. My heart melts slightly to
know that someone like him could feel the same way as someone like me.
I trail my fingers along the text on his collarbone.
“Nunquam iterum,” I read out. “Latin, I assume?”
“Yes,” he says slowly, looking away. “It means never again.”
“Never again, what?”
His mouth quirks up into a sour smile. “Never again to a lot
of things.”
“Is that all I’m going to get?”
“From that, yes,” he says, finally meeting my gaze again.
His pupils are so large, they hypnotize me. “You get one more. Then you’re
giving me something.”
I breathe in deeply through my nose and look over every inch
of him. The lion. Words across his side “Hope before Death.” A paw print in his
inner arm. A flock of ravens swirling into a tribal pattern down one bicep,
making a sleeve. A crest with what looks like Latin on the other forearm.
Another similar crest on his chest. I press on the one on his chest, with a
boar at the centre. “Corda. Serrata. Pando,” I say, my finger tracing the
words.
“I open locked hearts,” he says.
I still, watching him close. “What?”
“I open locked hearts,” he repeats. “It’s the Lockhart
crest. I was born a Lockhart. That is the clan’s motto.”
“Again, that’s terribly romantic,” I tell him. “That must be
where you get it from.” I touch his forearm, the other crest. “And I guess this
is McGregor?”
“Aye, though it should be MacGregor, or Clan Gregor.”
“'S rioghal mo dhream,” I try to say but stumble over it.
“What the hell.”
“Royal is my race,” he translates. He gives me a dry smile.
“However, it’s not my race. So that explains a lot.”
I run my hand down the side of his cheek and he briefly
closes his eyes. “I think I’d rather you a romantic warrior than one with fussy
bloodlines.”
He leans in, slowly opening his eyes, gazing at me through
his lashes. “Who said I was a warrior?”
I lower my voice. “I say you’re a warrior.”
You’re my warrior.
For now.
He lifts his chin. “What else do you say?”
I adjust myself on his hips, my hand slipping down toward
his pants. I shift to undo the top button, bracing myself on his shoulder. “I
say you need to get your cock out, warrior.”
He reaches out and lets his hands drift down over my hair.
“Lead you into battle?”
“Something like that.” I bite my lip as I tug down his
zipper.
Karina Halle is a former travel writer and music journalist and The New York Times, Wall Street Journal and USA Today Bestselling author of Where Sea Meets Sky, Racing the Sun, The Pact, Love, in English, The Artists Trilogy, Dirty Angels and over 20 other wild and romantic reads. She lives on an island off the coast of British Columbia with her husband and her rescue pup, where she drinks a lot of wine, hikes a lot of trails and devours a lot of books.
Halle is represented by the Waxman Leavell Agency and is both self-published and published by Atria Books/Simon & Schuster and Hachette in North America and in the UK.
Hit her up on Instagram at @authorHalle , on Twitter at @MetalBlonde and on Facebook. You can also visit www.authorkarinahalle.com and sign up for the newsletter for news, excerpts, previews, private book signing sales and more.
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